World War II Musicians: Andrews Sisters in U.S. Propaganda

Vintage image of The Andrews Sisters in military uniform, rendering a salute in a classic patriotic pose.

The era of World War II witnessed an unprecedented convergence of music and propaganda, with artists and musicians playing a pivotal role in shaping public sentiment. The Andrews Sisters, a popular vocal trio, along with various jazz musicians, found themselves at the forefront of this cultural movement. This paper explores the involvement of the Andrews Sisters and other jazz musicians in supporting U.S. propaganda efforts during World War II, examining the ways in which their music contributed to fostering patriotism, boosting morale, and promoting national unity.

The Andrews Sisters: A Musical Force for Propaganda

The Andrews Sisters, comprised of LaVerne, Maxene, and Patty, were a vocal trio whose close harmonies and infectious energy made them a household name in the 1930s and 1940s. As World War II engulfed the globe, the Andrews Sisters found themselves at the forefront of a cultural movement that sought to use music as a means of boosting morale and fostering a sense of national unity.

“Boogie Woogie Bugle Boy”: A Swing Anthem of Heroism

“Boogie Woogie Bugle Boy,” released in 1941, stands out as a quintessential example of the Andrews Sisters’ contribution to wartime propaganda. Penned by Don Raye and Hughie Prince, the song celebrated the unsung heroism of a fictional bugler who could play a “riff” in the midst of the jitterbug dance craze. The song became an instant hit because of the sisters’ dynamic delivery, catchy lyrics, and a combination of swing rhythms.

The character in ‘Boogie Woogie Bugle Boy’ cleverly combined the military and swing music in its lyrics. This was reflected through the main character who could be identified as bridging that gap. The bugle boy became an emblem for hope and determination thus symbolizing Americans’ resolution to emerge victorious during the war. There is hope even amidst strife; products such as this can provide joy and happiness to people.

“Rum and Coca-Cola”: Boosting Morale Through Music

“Rum and Coca-Cola” was a propaganda tool targeting both civilian and military audiences. The song boosted morale at home while also making people feel connected with troops abroad. It was a piece that took their mind off harsh reality by making them dance happily away from it for a short while.

Musical Ambassadors in War

However, there was another side of this story for the military audience alone. Subtly, this song made Americans believe that being their army man was just like being rich or attractive. The lyrics depict American troops having a significant cultural and economic impact in all regions. The song emphasizes the positive aspects of their presence, minimizing potential negative consequences.

Wartime Morale Boosters

Beyond war songs, the Andrews Sisters collaborated with the U.S. government, participating in war bond drives, entertaining troops, and acting in propaganda films. Their musical prowess made them effective ambassadors, boosting morale domestically and internationally.

Jazz Musicians and the Swing Era as a Cultural Unity Movement

Swing Era Jazz: Active Participation in War Propaganda

Even as the Andrew Sisters were making their names through their harmonious melodies other musicians, especially those associated with Swing Era Jazz were also participating actively in the war propaganda machine. The danceable and lively rhythms characterized Swing Era which became symbolic to American culture during the Second World War.

Big Bands and Patriotism: Jazz Musicians’ Role

Benny Goodman’s, Glenn Miller’s, Duke Ellington’s big bands played a role in popularizing patriotism through music. Swing music served as not only a means of entertainment but also brought people closer together despite challenging moments. In order to promote a sense of national unity, the US government saw jazz as an effective tool for propaganda.

“V” Designer Program: Musical Support for World War II Soldiers

The 1943 “V” Designer program created special recordings for soldiers in WWII and overseas missions, featuring swing and jazz artists. V-discs played a crucial role in maintaining troops’ connection with home, significantly boosting morale among soldiers deployed abroad. Artists recorded these discs as a heartfelt means of supporting their country’s military, understanding the profound impact their music could have on the hearts of men risking their lives daily.

Swing Music in Propaganda Media: Bright Melodies of Unity

Propaganda films and radio broadcasts also used swing music greatly. They were characterized by bright melodies conveying an attitude of optimism and resilience, which underlined American character amidst hardships. In this way, jazz musicians attempted to create a musical setting that drew on wartime themes, further contributing to a shared narrative that established unity and patriotism.


During World War II, the Andrews Sisters and Swing Era jazz musicians shaped the cultural landscape, using their talents for U.S. propaganda. The sisters symbolized patriotism with catchy songs, while jazz musicians created a unified musical identity, echoing the resilience of Americans. This union of music and propaganda demonstrated the power of cultural expressions in shaping public opinion during challenging times.


Sostaric, M. (2019). The American Wartime Propaganda During World War II. australasian journal of american studies, 38(1), 17-44.
Davenport, L. E. (2010). Jazz diplomacy: Promoting America in the cold war era. Univ. Press of Mississippi.

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